1 00:01:20,874 --> 00:01:22,792 Very good. 2 00:01:24,085 --> 00:01:26,838 It's an excellent likeness of James Pendrick. 3 00:01:27,046 --> 00:01:28,965 Wouldn't you agree, William? 4 00:01:29,174 --> 00:01:30,341 Excellent, yes. 5 00:01:30,550 --> 00:01:34,679 But the building itself is a far better portrait of the man. 6 00:01:34,888 --> 00:01:38,057 Solid steel, reinforced concrete skeleton, 7 00:01:38,266 --> 00:01:41,394 gearless traction electric elevators, 8 00:01:41,603 --> 00:01:42,896 and a full 11 stories. 9 00:01:43,104 --> 00:01:48,109 Julia, could you imagine anything so grand in Toronto? 10 00:01:53,823 --> 00:01:57,410 William, it's breathtaking. 11 00:01:57,619 --> 00:02:00,330 Oh. Breathtaking, yes. 12 00:02:00,538 --> 00:02:04,000 No more masonry wall load transference ratios. 13 00:02:04,209 --> 00:02:07,128 "Bathsheba at Her Bath" 14 00:02:07,337 --> 00:02:09,422 is a true vessel of tragedy, 15 00:02:09,631 --> 00:02:12,550 the most exquisite nude of Rembrandt's career. 16 00:02:12,759 --> 00:02:16,554 We are indebted to Mrs. Pendrick for sharing this jewel with us 17 00:02:16,763 --> 00:02:18,890 at this most prestigious of showings. 18 00:02:19,098 --> 00:02:21,893 Signore Carducci, é molto gentile. 19 00:02:22,101 --> 00:02:23,144 James and I are delighted 20 00:02:23,353 --> 00:02:25,730 that an art connoisseur like yourself could join us. 21 00:02:25,939 --> 00:02:29,234 I came to Canada in search of rising young talent, 22 00:02:29,442 --> 00:02:30,693 but what do I find? 23 00:02:30,902 --> 00:02:34,697 A European masterpiece endowing its light upon the colonies. 24 00:02:34,906 --> 00:02:37,909 Really, do we have to endure this asinine twaddle? 25 00:02:38,117 --> 00:02:40,203 Groveling over long-dead painters? 26 00:02:40,411 --> 00:02:43,623 Such impertinence, such fire. 27 00:02:43,832 --> 00:02:47,293 Art is a living, breathing organism. 28 00:02:47,502 --> 00:02:49,921 What is this snobbish obsession with anything ancient? 29 00:02:50,129 --> 00:02:51,506 My dear Burt, 30 00:02:51,714 --> 00:02:55,260 the difference between the dead masters and you moderns 31 00:02:55,468 --> 00:02:57,595 is that the dead have better manners. 32 00:02:59,556 --> 00:03:02,559 Oh, William. It's simply stunning. 33 00:03:02,767 --> 00:03:04,894 You see how Rembrandt made equal use 34 00:03:05,103 --> 00:03:07,230 of agitated and serene brushstrokes? 35 00:03:07,438 --> 00:03:10,525 She's beautiful and haunting. 36 00:03:10,733 --> 00:03:13,987 Note the rich ocher pigment of the robe. 37 00:03:14,195 --> 00:03:16,239 It's rare to see a nude 38 00:03:16,447 --> 00:03:18,950 that portrays a woman as a whole person. 39 00:03:19,158 --> 00:03:20,785 An astute observation. 40 00:03:20,994 --> 00:03:23,663 Dr. Julia Ogden, is it not? 41 00:03:23,872 --> 00:03:25,623 Why, yes. Mrs. Pendrick. 42 00:03:25,832 --> 00:03:28,042 Your father talks incessantly about your accomplishments. 43 00:03:28,251 --> 00:03:29,168 Ah! 44 00:03:29,377 --> 00:03:30,378 Well, not to me. 45 00:03:30,587 --> 00:03:32,422 It's so good of you to join us. 46 00:03:32,630 --> 00:03:34,090 And this gentleman? 47 00:03:34,299 --> 00:03:38,011 Detective William Murdoch, of the Toronto Constabulary. 48 00:03:38,219 --> 00:03:40,263 I was told they'd send their finest 49 00:03:40,471 --> 00:03:42,307 to keep an eye on my painting. 50 00:03:42,515 --> 00:03:46,185 It's an honor to guard such a masterpiece, Mrs. Pendrick. 51 00:03:46,394 --> 00:03:48,313 I take it you're familiar with Rembrandt's work, 52 00:03:48,521 --> 00:03:49,522 Detective? 53 00:03:49,731 --> 00:03:52,275 To some small extent. 54 00:03:52,483 --> 00:03:54,986 Then you're aware that his model was Hendrickje Stouffels. 55 00:03:55,194 --> 00:03:57,822 Yes, his mistress of many years, I believe. 56 00:03:58,031 --> 00:04:00,408 Correct. 57 00:04:00,617 --> 00:04:04,245 Perhaps that's why he was able to evoke so much compassion 58 00:04:04,454 --> 00:04:06,581 on the canvas. 59 00:04:06,789 --> 00:04:08,541 Such raw intimacy. 60 00:04:10,877 --> 00:04:13,087 Perhaps. 61 00:04:15,840 --> 00:04:18,676 How much longer is this soiree supposed to last? 62 00:04:18,885 --> 00:04:20,595 About another hour, I think. 63 00:04:21,971 --> 00:04:22,847 Must be some painting 64 00:04:23,056 --> 00:04:24,891 if Pendrick's own security isn't enough. 65 00:04:25,099 --> 00:04:28,770 A priceless painting of a woman sans clothing, I'm told. 66 00:04:28,978 --> 00:04:30,521 It seems a shame to keep it hidden away 67 00:04:30,730 --> 00:04:32,857 up in the Pendrick mansion where no one else can see it. 68 00:04:33,066 --> 00:04:34,484 Once again, thank you all for coming. 69 00:04:34,692 --> 00:04:36,319 It has been Mrs. Pendrick's and my pleasure 70 00:04:36,527 --> 00:04:37,779 to share such a treasure with you. 71 00:04:37,987 --> 00:04:41,074 Now it's time to put this fine lady to bed. 72 00:04:41,282 --> 00:04:42,700 Clarkson, thank you. 73 00:05:14,524 --> 00:05:15,483 Here she comes. 74 00:05:15,692 --> 00:05:17,443 It's moving at quite a speed. 75 00:05:17,652 --> 00:05:19,195 State-of-the-art technology. 76 00:05:19,404 --> 00:05:21,280 So Detective Murdoch tells me. 77 00:05:26,536 --> 00:05:27,662 I'm glad it's not me up there. 78 00:05:27,870 --> 00:05:29,747 I get dizzy standing on a ladder. 79 00:05:29,956 --> 00:05:32,250 I bet you could overcome that, Higgins. 80 00:05:32,458 --> 00:05:34,585 The idea would be to start with a diminutive ladder. 81 00:05:34,794 --> 00:05:37,714 Then, each day, progress to a slightly larger ladder until... 82 00:05:37,922 --> 00:05:41,801 You have an excess of ladders. 83 00:05:44,846 --> 00:05:46,639 She's some fast, all right. 84 00:05:58,985 --> 00:06:01,320 My God. 85 00:06:01,529 --> 00:06:03,489 I think he's dead. 86 00:06:03,698 --> 00:06:06,617 And where's the Rembrandt? 87 00:06:16,127 --> 00:06:18,129 Sir, I don't understand how it's possible. 88 00:06:18,337 --> 00:06:20,339 The elevator did not stop moving, I swear. 89 00:06:20,548 --> 00:06:22,050 Paintings, priceless or otherwise, 90 00:06:22,258 --> 00:06:23,176 don't simply disappear. 91 00:06:23,384 --> 00:06:24,635 Sir, I watched the dial with my own eyes. 92 00:06:24,844 --> 00:06:25,636 As did I. 93 00:06:25,845 --> 00:06:26,763 In the meantime, George, 94 00:06:26,971 --> 00:06:28,639 as the building search gets under way... 95 00:06:28,848 --> 00:06:30,475 I'll need statements from the guests. 96 00:06:30,683 --> 00:06:32,351 Did they see anything untoward and such. 97 00:06:32,560 --> 00:06:34,520 Thank you, George. 98 00:06:36,272 --> 00:06:38,066 What have you, Doctor? 99 00:06:38,274 --> 00:06:40,610 A small knife wound below the shoulder blade, 100 00:06:40,818 --> 00:06:42,612 no doubt piercing the heart. 101 00:06:42,820 --> 00:06:44,363 He died instantly? 102 00:06:44,572 --> 00:06:47,366 Within seconds, I should think. 103 00:06:48,409 --> 00:06:51,496 Well, the killer, or killers most likely, 104 00:06:51,704 --> 00:06:53,289 could have been waiting on top of the car 105 00:06:53,498 --> 00:06:56,876 and entered and exited through the hatch. 106 00:07:02,840 --> 00:07:04,425 Nothing up here. 107 00:07:09,764 --> 00:07:10,848 But the opening is far too small 108 00:07:11,057 --> 00:07:12,517 for that painting to have fit through. 109 00:07:12,725 --> 00:07:14,560 Could it have been cut from the frame? 110 00:07:14,769 --> 00:07:18,481 Any attempt to fold or roll a painting as old as a Rembrandt 111 00:07:18,689 --> 00:07:21,192 would destroy it and render it worthless. 112 00:07:21,400 --> 00:07:23,361 It would have had to have been taken in its frame. 113 00:07:23,569 --> 00:07:27,323 Dear God, how could this happen? 114 00:07:27,532 --> 00:07:28,324 Poor Clarkson. 115 00:07:28,533 --> 00:07:30,827 I don't understand. My security was impeccable. 116 00:07:31,035 --> 00:07:32,537 Excuse me, Doctor. 117 00:07:32,745 --> 00:07:33,538 Mr. Pendrick, 118 00:07:33,746 --> 00:07:36,207 Detective William Murdoch of the Toronto Constabulary. 119 00:07:36,415 --> 00:07:38,251 Detective, who would do such a thing, 120 00:07:38,459 --> 00:07:39,544 murder an innocent man? 121 00:07:39,752 --> 00:07:42,213 It's clearly the work of brazen professionals. 122 00:07:42,421 --> 00:07:44,882 However, I can assure you that they will be caught 123 00:07:45,091 --> 00:07:46,926 and your painting will be recovered. 124 00:07:47,135 --> 00:07:49,428 I will be needing a list of all of your staff 125 00:07:49,637 --> 00:07:51,889 as well as the caterers, musicians, waiters. 126 00:07:52,098 --> 00:07:52,890 Yes, of course. 127 00:07:53,099 --> 00:07:54,892 Whoever orchestrated such a heinous crime 128 00:07:55,101 --> 00:07:56,602 had to have access to the building. 129 00:07:56,811 --> 00:07:58,396 As well as a detailed understanding 130 00:07:58,604 --> 00:07:59,564 of the physical structure 131 00:07:59,772 --> 00:08:01,691 and a schedule of this evening's activities. 132 00:08:01,899 --> 00:08:03,568 You shall have everything you need. 133 00:08:03,776 --> 00:08:05,194 Now, if you'll excuse me, 134 00:08:05,403 --> 00:08:07,905 I must break the terrible news to my wife. 135 00:08:08,114 --> 00:08:08,906 Sir? 136 00:08:09,115 --> 00:08:10,449 You're needed on the third floor. 137 00:08:10,658 --> 00:08:13,119 I think we've discovered how they made good their escape. 138 00:08:20,293 --> 00:08:23,921 Right, then, Henry, get photographs and fingermarks. 139 00:08:24,130 --> 00:08:25,631 And collect the rope. 140 00:08:25,840 --> 00:08:27,216 Yeah. 141 00:08:29,635 --> 00:08:31,095 My desk is covered 142 00:08:31,304 --> 00:08:33,389 with telegrams from broadsheets around the world, 143 00:08:33,598 --> 00:08:34,765 wanting to know how a masterpiece 144 00:08:34,974 --> 00:08:36,434 disappears into thin air. 145 00:08:36,642 --> 00:08:37,435 It didn't disappear. 146 00:08:37,643 --> 00:08:39,270 A logical explanation will surface. 147 00:08:39,478 --> 00:08:41,439 These thieves have got a bloody cheek. 148 00:08:41,647 --> 00:08:42,481 So, why the lift? 149 00:08:42,690 --> 00:08:45,109 The elevator ride was the only time 150 00:08:45,318 --> 00:08:48,237 the Rembrandt wasn't under direct police watch. 151 00:08:48,446 --> 00:08:50,198 Makes sense. Scared of us. 152 00:08:50,406 --> 00:08:51,824 And the guard? Was he part of it? 153 00:08:52,033 --> 00:08:54,202 Frederick Clarkson. 154 00:08:54,410 --> 00:08:56,287 A family man with impeccable credentials. 155 00:08:56,495 --> 00:08:58,122 I'm convinced he was not involved. 156 00:08:58,331 --> 00:09:00,458 So, the motive? Ransom? 157 00:09:00,666 --> 00:09:01,542 No demands have arrived. 158 00:09:01,751 --> 00:09:03,085 Hmm. 159 00:09:03,294 --> 00:09:04,754 Exactly how much is this painting worth? 160 00:09:04,962 --> 00:09:07,089 A Rembrandt, signore. 161 00:09:07,298 --> 00:09:11,844 Its value to civilization cannot be equated in dollars and lire. 162 00:09:12,053 --> 00:09:15,598 Signore Luca Carducci at your service. 163 00:09:15,806 --> 00:09:17,516 Inspector Thomas Brackenreid. 164 00:09:17,725 --> 00:09:19,310 The pleasure is mine. 165 00:09:19,518 --> 00:09:20,311 Apparently. 166 00:09:20,519 --> 00:09:23,940 I met Signore Carducci at the unveiling last night. 167 00:09:24,148 --> 00:09:25,983 He represents several European art galleries 168 00:09:26,192 --> 00:09:28,402 and is renowned in international art circles. 169 00:09:28,611 --> 00:09:29,403 Ah. Wonderful. 170 00:09:29,612 --> 00:09:31,447 I've asked him for his expert advice. 171 00:09:31,656 --> 00:09:34,200 Anything I can do to help secure Bathsheba's return. 172 00:09:34,408 --> 00:09:36,118 So, in crass monetary terms, 173 00:09:36,327 --> 00:09:39,163 please, Mr. Carducci, how much is she worth? 174 00:09:39,372 --> 00:09:42,625 A Rembrandt painted in 1654? 175 00:09:42,833 --> 00:09:46,796 $40,000, perhaps more. 176 00:09:47,004 --> 00:09:48,172 So it could be ransomed. 177 00:09:48,381 --> 00:09:52,176 Or sold to some unscrupulous private collector. 178 00:09:52,385 --> 00:09:53,803 I would think a work of art 179 00:09:54,011 --> 00:09:56,013 as famous and costly as a Rembrandt 180 00:09:56,222 --> 00:09:57,515 would be difficult to sell. 181 00:09:57,723 --> 00:09:59,016 In this provincial town, 182 00:09:59,225 --> 00:10:01,352 absolutely. 183 00:10:01,560 --> 00:10:04,105 So the thieves would want to get it out of Toronto. 184 00:10:04,313 --> 00:10:05,314 But how? A fence? 185 00:10:05,523 --> 00:10:06,315 Not here. 186 00:10:06,524 --> 00:10:09,110 But there are such characters in the international art world. 187 00:10:09,318 --> 00:10:11,570 Then where would they try to sell it? Europe? 188 00:10:11,779 --> 00:10:14,532 Possibly, but more likely New York. 189 00:10:14,740 --> 00:10:15,574 Or Buffalo. 190 00:10:15,783 --> 00:10:18,160 The nouveau riche have a voracious appetite 191 00:10:18,369 --> 00:10:19,203 for acquisition. 192 00:10:19,412 --> 00:10:20,413 Thank you, Signore Carducci. 193 00:10:20,621 --> 00:10:21,539 You've been very helpful. 194 00:10:21,747 --> 00:10:26,711 You're most welcome, and good luck, signori. 195 00:10:26,919 --> 00:10:29,547 Bloody arty types. 196 00:10:29,755 --> 00:10:33,342 There is another possibility here, sir. 197 00:10:33,551 --> 00:10:36,554 Mr. Pendrick could have orchestrated his own theft. 198 00:10:36,762 --> 00:10:37,555 Insurance fraud. 199 00:10:37,763 --> 00:10:39,432 But why? The bugger's filthy rich. 200 00:10:39,640 --> 00:10:42,226 Nevertheless, an avenue we should explore. 201 00:10:42,435 --> 00:10:44,562 Agreed. "Bathsheba at Her Bath." 202 00:10:44,770 --> 00:10:48,149 A lady's bathing ritual should not be spied upon. 203 00:11:12,965 --> 00:11:14,592 Mr. Pendrick? 204 00:11:14,800 --> 00:11:17,803 Ah, Detective. 205 00:11:18,012 --> 00:11:22,099 Excuse me, I find I can't stop thinking about poor Clarkson. 206 00:11:22,308 --> 00:11:24,393 Keeping the mind occupied helps. 207 00:11:24,602 --> 00:11:25,853 Indeed. 208 00:11:26,062 --> 00:11:28,606 What are you working on? 209 00:11:28,814 --> 00:11:29,690 This is a mechanism 210 00:11:29,899 --> 00:11:32,068 that will drive a model of the solar system, 211 00:11:32,276 --> 00:11:33,361 based on Eisinga's work. 212 00:11:33,569 --> 00:11:36,155 The Dutchman who created the planetarium. 213 00:11:36,364 --> 00:11:38,407 Yes, in 1781. It's astonishing. 214 00:11:38,616 --> 00:11:41,118 He calculated the movement of the planets to an accuracy 215 00:11:41,327 --> 00:11:42,119 within seconds. 216 00:11:42,328 --> 00:11:43,996 Fascinating man. 217 00:11:44,205 --> 00:11:45,414 An amateur astronomer, wood carver. 218 00:11:45,623 --> 00:11:48,542 Eisinga's model filled an entire room. 219 00:11:48,751 --> 00:11:50,336 Mine will fit into the palm of your hand. 220 00:11:50,544 --> 00:11:52,797 It's remarkable. 221 00:11:53,005 --> 00:11:54,382 My wife took me to a flea circus, 222 00:11:54,590 --> 00:11:56,467 and I thought why not combine the two ideas -- 223 00:11:56,675 --> 00:11:59,220 produce a planetarium on a minuscule scale. 224 00:11:59,428 --> 00:12:02,264 I myself am fascinated by the idea that someday, 225 00:12:02,473 --> 00:12:03,766 tiny electrical circuits 226 00:12:03,974 --> 00:12:07,353 will be capable of calculating vast mathematical algorithms. 227 00:12:07,561 --> 00:12:08,396 Yes, you understand. 228 00:12:08,604 --> 00:12:10,481 Miniaturization is the key to the future. 229 00:12:10,689 --> 00:12:14,652 Yet you designed the tallest building in Toronto. 230 00:12:14,860 --> 00:12:16,153 Ah, that thing? 231 00:12:16,362 --> 00:12:18,155 Obsolete before the last rivet went in. 232 00:12:18,364 --> 00:12:20,491 I'm already working on new alloys 233 00:12:20,699 --> 00:12:22,159 that are lighter and stronger. 234 00:12:22,368 --> 00:12:24,787 Now, have you any idea who murdered Clarkson 235 00:12:24,995 --> 00:12:26,872 and made off with the Rembrandt? 236 00:12:27,081 --> 00:12:29,250 It's early stages still. 237 00:12:29,458 --> 00:12:30,960 There is a strong possibility 238 00:12:31,168 --> 00:12:33,129 you'll be receiving a ransom note. 239 00:12:33,337 --> 00:12:35,798 If one arrives, I will contact you immediately. 240 00:12:36,006 --> 00:12:37,675 But, surely, you didn't come all this way 241 00:12:37,883 --> 00:12:38,884 just to ask me the obvious. 242 00:12:39,093 --> 00:12:41,345 No, I didn't. 243 00:12:41,554 --> 00:12:44,390 I take it you had an insurance policy on the painting? 244 00:12:44,598 --> 00:12:47,726 Ah. I see. 245 00:12:47,935 --> 00:12:50,521 Of course you have to ask. I'd expect nothing less. 246 00:12:50,729 --> 00:12:52,189 Yes, the Rembrandt was insured. 247 00:12:52,398 --> 00:12:54,733 I'll need to see that policy. 248 00:12:54,942 --> 00:12:56,193 I'll have it sent along, 249 00:12:56,402 --> 00:12:58,779 though I'm confident your scientific mind will lead 250 00:12:58,988 --> 00:13:00,573 to the recovery of the Rembrandt. 251 00:13:00,781 --> 00:13:02,992 Thank you. 252 00:13:03,200 --> 00:13:04,660 One more thing. 253 00:13:04,869 --> 00:13:07,872 Clearly, the Rembrandt would be a coveted possession. 254 00:13:08,080 --> 00:13:12,084 There was quite a frenzied bidding process in Vienna. 255 00:13:12,293 --> 00:13:15,337 Do you have any idea who the other potential buyers 256 00:13:15,546 --> 00:13:16,338 may have been? 257 00:13:16,547 --> 00:13:19,550 That is a question for my wife. The art world is her domain. 258 00:13:19,758 --> 00:13:22,470 Where might I find Mrs. Pendrick? 259 00:13:22,678 --> 00:13:24,805 I believe she's by the pool. 260 00:13:42,823 --> 00:13:44,241 Oh, excuse me. 261 00:13:44,450 --> 00:13:45,784 Uh, I'm sorry. 262 00:13:45,993 --> 00:13:48,662 Why, hello, Detective Murdoch. 263 00:13:48,871 --> 00:13:50,831 Perhaps another time would be better. I'll -- 264 00:13:51,040 --> 00:13:51,790 Nonsense. 265 00:13:51,999 --> 00:13:53,417 We are trying to work here. 266 00:13:53,626 --> 00:13:54,710 It's all right, Burt. 267 00:13:54,919 --> 00:13:56,754 Detective Murdoch's investigation 268 00:13:56,962 --> 00:13:59,215 is far more important than my portrait. 269 00:13:59,423 --> 00:14:01,425 Rembrandt stolen, world ends. 270 00:14:01,634 --> 00:14:04,595 Mr. Lightman is very passionate about modern art 271 00:14:04,803 --> 00:14:07,223 and his opinions, aren't you, Burt? 272 00:14:09,642 --> 00:14:12,144 How can I help you, Detective? 273 00:14:13,938 --> 00:14:16,106 Your husband tells me your purchase of the Rembrandt 274 00:14:16,315 --> 00:14:18,651 caused quite a stir in the art world. 275 00:14:18,859 --> 00:14:21,153 My competitors kept pushing the bidding higher and higher, 276 00:14:21,362 --> 00:14:23,322 certain I'd lose my nerve. 277 00:14:23,531 --> 00:14:27,660 Any idea who these prospective buyers were? 278 00:14:27,868 --> 00:14:30,829 All the prestigious galleries, a few well-heeled individuals. 279 00:14:31,038 --> 00:14:34,166 It was quite scandalous for a woman to secure the painting. 280 00:14:34,375 --> 00:14:37,002 Were any of them disgruntled enough to steal it? 281 00:14:37,211 --> 00:14:38,963 What a terrible thought. 282 00:14:39,171 --> 00:14:40,214 But I suppose. 283 00:14:40,422 --> 00:14:43,676 I'll need a list of names, if at all possible. 284 00:14:43,884 --> 00:14:46,345 Yes, of course. 285 00:14:48,681 --> 00:14:49,682 Ice water? 286 00:14:51,934 --> 00:14:53,727 Thank you. 287 00:14:55,187 --> 00:14:57,982 Your comments last night on Rembrandt's technique 288 00:14:58,190 --> 00:15:00,192 tell me that you're an art lover. 289 00:15:00,401 --> 00:15:02,570 I was educated by Jesuits. 290 00:15:02,778 --> 00:15:07,741 They used the classics as hooks to capture our young souls. 291 00:15:07,950 --> 00:15:10,202 However, I'm less familiar with the moderns. 292 00:15:10,411 --> 00:15:12,830 Oh, well, then, you must allow me to contribute 293 00:15:13,038 --> 00:15:13,914 to your education. 294 00:15:14,123 --> 00:15:15,874 You must see Burt's work. 295 00:15:16,083 --> 00:15:16,875 Oh. 296 00:15:17,084 --> 00:15:19,837 Mrs. Pendrick, the painting is not yet finished. 297 00:15:20,045 --> 00:15:22,131 Oh, don't be so precious, Burt. 298 00:15:22,339 --> 00:15:24,675 Detective Murdoch is interested. 299 00:15:27,803 --> 00:15:30,139 What's your first thought? 300 00:15:30,347 --> 00:15:33,892 It's a challenging composition. 301 00:15:34,101 --> 00:15:35,519 I use only primary colors 302 00:15:35,728 --> 00:15:38,063 to better highlight the dynamic tension 303 00:15:38,272 --> 00:15:39,607 between geometric figures. 304 00:15:39,815 --> 00:15:42,526 Burt's style will light the way of the future. 305 00:15:42,735 --> 00:15:45,696 Ah, then I'll be sure to pay closer attention. 306 00:15:50,451 --> 00:15:52,703 The Pendricks made quite an impression 307 00:15:52,911 --> 00:15:53,996 when they first arrived. 308 00:15:54,204 --> 00:15:57,207 Father says James Pendrick is brash, 309 00:15:57,416 --> 00:16:00,878 but, then, he never did like new ideas upsetting his world order. 310 00:16:01,086 --> 00:16:05,215 Mr. Pendrick is something of a revolutionary thinker. 311 00:16:05,424 --> 00:16:07,176 So you and he are quite like-minded. 312 00:16:07,384 --> 00:16:10,596 His wife seems refreshingly modern, don't you think? 313 00:16:10,804 --> 00:16:13,849 Yes. Quite modern. 314 00:16:14,933 --> 00:16:16,560 Has your postmortem determined anything? 315 00:16:16,769 --> 00:16:17,645 Indeed. 316 00:16:17,853 --> 00:16:19,396 As I suspected, the victim died 317 00:16:19,605 --> 00:16:21,649 from a single stab wound to the heart. 318 00:16:21,857 --> 00:16:23,317 But here's what's interesting. 319 00:16:23,525 --> 00:16:26,445 The guard's right ankle was broken. 320 00:16:26,654 --> 00:16:28,906 That's strange. 321 00:16:29,114 --> 00:16:31,158 I watched him walk into the elevator. 322 00:16:31,367 --> 00:16:32,451 There was no evidence of injury. 323 00:16:32,660 --> 00:16:33,577 Agreed. 324 00:16:33,786 --> 00:16:35,537 And yet it is broken. 325 00:16:35,746 --> 00:16:38,749 So, how could he break an ankle inside an elevator? 326 00:16:38,957 --> 00:16:40,626 Could it have fallen? 327 00:16:48,717 --> 00:16:50,636 The elevator didn't fall... 328 00:16:53,555 --> 00:16:55,599 ...but the guard did. 329 00:16:55,808 --> 00:16:59,269 Sir, how did he fall in an elevator? 330 00:16:59,478 --> 00:17:00,979 He didn't fall in the elevator, George. 331 00:17:01,188 --> 00:17:03,107 He fell into the elevator. 332 00:17:03,315 --> 00:17:04,233 Thank you. 333 00:17:04,441 --> 00:17:05,609 I'm not sure I'm following you, sir. 334 00:17:05,818 --> 00:17:08,278 There were two elevator cars. 335 00:17:09,029 --> 00:17:10,948 Two elevator cars? 336 00:17:11,156 --> 00:17:12,700 You see? Here. 337 00:17:12,908 --> 00:17:15,202 These are screw holes. 338 00:17:18,831 --> 00:17:22,334 A second, false car was built on top of this one. 339 00:17:25,713 --> 00:17:28,841 So the guard and the painting enter the false car. 340 00:17:29,049 --> 00:17:31,009 And as the elevator makes its way down, 341 00:17:31,218 --> 00:17:33,220 the thieves, stationed in the car below, 342 00:17:33,429 --> 00:17:34,430 open the hatch. 343 00:17:37,141 --> 00:17:38,517 The guard falls into the car 344 00:17:38,726 --> 00:17:40,853 and in doing so, breaks his ankle. 345 00:17:42,146 --> 00:17:44,064 The thieves murder him 346 00:17:44,273 --> 00:17:46,525 and climb up into the false car. 347 00:17:46,734 --> 00:17:49,528 The dead guard then continues his journey 348 00:17:49,737 --> 00:17:51,280 down to the first floor. 349 00:17:51,488 --> 00:17:54,491 So, Constable Higgins and I discover him 350 00:17:54,700 --> 00:17:56,410 in the real elevator car. 351 00:17:56,618 --> 00:17:58,746 Everyone assumes the crime occurred there. 352 00:17:58,954 --> 00:18:01,665 And while we're busying ourselves searching down below, 353 00:18:01,874 --> 00:18:06,253 the thieves and the painting got out here. 354 00:18:06,462 --> 00:18:07,337 On the second floor. 355 00:18:07,546 --> 00:18:09,381 I think I can take it from there, sir. 356 00:18:09,590 --> 00:18:12,009 They thieves then dismantle the false elevator car, 357 00:18:12,217 --> 00:18:14,178 stash the materials somewhere nearby, 358 00:18:14,386 --> 00:18:15,929 and make their way up to the third floor 359 00:18:16,138 --> 00:18:17,389 where they escape down the rope. 360 00:18:17,598 --> 00:18:18,932 No, George, the rope was a ruse. 361 00:18:19,141 --> 00:18:20,392 The thieves wanted us to think 362 00:18:20,601 --> 00:18:22,186 they escaped from the third floor 363 00:18:22,394 --> 00:18:24,646 so we would focus our search there. 364 00:18:24,855 --> 00:18:26,023 Why that? 365 00:18:26,231 --> 00:18:28,567 How did they get the painting out of a building 366 00:18:28,776 --> 00:18:29,860 surrounded by policemen? 367 00:18:30,068 --> 00:18:32,362 Well, I don't imagine they could, sir. 368 00:18:32,571 --> 00:18:36,200 Precisely, meaning they didn't leave the building immediately. 369 00:18:36,408 --> 00:18:38,327 They laid low. 370 00:18:38,535 --> 00:18:39,953 They stayed right here under our noses 371 00:18:40,162 --> 00:18:41,038 until the commotion passed. 372 00:18:41,246 --> 00:18:43,373 Yes. And once we had left and the building was unguarded... 373 00:18:43,582 --> 00:18:44,708 They slip off into the night. 374 00:18:44,917 --> 00:18:46,335 That's a nervy pair of thieves, sir. 375 00:18:46,543 --> 00:18:49,755 Yes, with an ingenious plan. 376 00:18:55,093 --> 00:18:57,721 And I think we've found their hiding place, George. 377 00:18:57,930 --> 00:18:59,598 Have you your skeleton key? 378 00:19:08,816 --> 00:19:11,610 The remains of the false elevator. 379 00:19:12,277 --> 00:19:17,366 So, the thieves removed the painting from its frame, 380 00:19:17,574 --> 00:19:19,993 keeping it mounted on the stretcher, 381 00:19:20,202 --> 00:19:23,372 waited for the coast to clear, and made good their getaway. 382 00:19:23,580 --> 00:19:25,332 I agree with part of your theory, sir. 383 00:19:25,541 --> 00:19:27,668 Oh, just which part of it don't you agree with? 384 00:19:27,876 --> 00:19:29,211 The getaway part, actually. 385 00:19:41,014 --> 00:19:43,475 Point taken, George. 386 00:19:43,684 --> 00:19:47,145 Sir, if the thieves are dead, then who has the painting? 387 00:20:00,826 --> 00:20:03,620 Both thieves died in the same extraordinary manner. 388 00:20:03,829 --> 00:20:06,081 A sharp, thin object pierced the right eardrum, 389 00:20:06,290 --> 00:20:08,292 entering the soft tissue of the brain. 390 00:20:08,500 --> 00:20:10,127 They died of cerebral hemorrhage. 391 00:20:10,335 --> 00:20:12,004 Murder weapon? 392 00:20:12,212 --> 00:20:15,591 I'll have to examine both brains to get an exact description. 393 00:20:15,799 --> 00:20:17,467 Thank you. That would be most helpful. 394 00:20:17,676 --> 00:20:18,635 Time of death? 395 00:20:18,844 --> 00:20:21,763 I'd estimate they died in the early hours of the morning. 396 00:20:21,972 --> 00:20:23,223 Between 3:00 and 4:00 a.m. 397 00:20:23,432 --> 00:20:24,892 Any defensive wounds? 398 00:20:25,100 --> 00:20:25,893 None. 399 00:20:26,101 --> 00:20:30,689 So, either the killer managed to surprise two ruthless thieves... 400 00:20:30,898 --> 00:20:33,108 Or they let their guard down. 401 00:20:33,317 --> 00:20:35,611 But why would they do that? 402 00:20:40,365 --> 00:20:42,159 Sir? Do you have a moment? 403 00:20:42,367 --> 00:20:43,827 Yes, of course, George. 404 00:20:44,036 --> 00:20:46,788 I'm just inspecting the dead thieves' clothing. 405 00:20:46,997 --> 00:20:49,791 Sir, we followed up on the rope used in the getaway. 406 00:20:50,000 --> 00:20:51,168 It's commonly obtained. 407 00:20:51,376 --> 00:20:53,170 No merchants recall selling a length of it 408 00:20:53,378 --> 00:20:55,339 to anyone matching the thieves' description. 409 00:20:55,547 --> 00:20:56,465 Fingermarks? 410 00:20:56,673 --> 00:20:59,509 Sorry, sir. I guess they used gloves. 411 00:20:59,718 --> 00:21:01,053 That's unfortunate. 412 00:21:01,261 --> 00:21:03,096 Thank you. 413 00:21:03,305 --> 00:21:05,557 Sir, I can't stop thinking. 414 00:21:05,766 --> 00:21:08,018 What a terrible way to die. 415 00:21:08,226 --> 00:21:11,480 I mean, to have a sharp object plunged into your ear canal. 416 00:21:11,688 --> 00:21:13,482 Indeed. 417 00:21:13,690 --> 00:21:14,650 I mean, I see the killer's logic. 418 00:21:14,858 --> 00:21:15,651 He needed to access the brain 419 00:21:15,859 --> 00:21:17,152 without interceding bone matter, didn't he? 420 00:21:17,361 --> 00:21:21,406 Still, the ear seems such a delicate part of the body. 421 00:21:21,615 --> 00:21:22,866 Yes, it does. 422 00:21:23,075 --> 00:21:25,702 He could have gone up through the nose, I suppose. 423 00:21:25,911 --> 00:21:27,537 But that wouldn't be much better, would it? 424 00:21:27,746 --> 00:21:28,997 And then there's the eye socket. 425 00:21:29,206 --> 00:21:30,874 That would be worse again, really, sir. 426 00:21:31,083 --> 00:21:32,960 You would see the weapon sort of coming towards you. 427 00:21:33,168 --> 00:21:34,378 Yes. Thank you, George. That's quite enough. 428 00:21:34,586 --> 00:21:37,172 Oh, forgive me, sir. Terrible business. 429 00:21:38,757 --> 00:21:41,176 George, did you speak with the catering company? 430 00:21:41,385 --> 00:21:43,428 I did. They reported no uniforms missing. 431 00:21:43,637 --> 00:21:47,474 Then, how did the thieves obtain these? 432 00:21:47,683 --> 00:21:49,518 I suppose they had them sewn up. 433 00:21:49,726 --> 00:21:51,061 The catering company's uniforms 434 00:21:51,269 --> 00:21:53,188 were manufactured here in Toronto, were they not? 435 00:21:53,397 --> 00:21:54,272 Yes, sir. 436 00:21:54,481 --> 00:21:57,025 Goldberg Tailors on Spadina. Have you found something? 437 00:21:59,027 --> 00:22:00,028 Yes, George. 438 00:22:00,237 --> 00:22:04,324 I believe the art thieves were from Chicago. 439 00:22:04,533 --> 00:22:07,327 Jonah Watson and Cyril Hughes. 440 00:22:07,536 --> 00:22:09,913 Professional thieves, both wanted in Chicago 441 00:22:10,122 --> 00:22:12,249 for the armed robbery of several banks. 442 00:22:12,457 --> 00:22:13,500 Dangerous characters 443 00:22:13,709 --> 00:22:15,669 but someone managed to kill the pair of them. 444 00:22:15,877 --> 00:22:16,712 I believe they were murdered 445 00:22:16,920 --> 00:22:18,213 when they were handing the painting over 446 00:22:18,422 --> 00:22:19,297 to whomever hired them. 447 00:22:19,506 --> 00:22:22,092 The partner who supplied them with all the inside information 448 00:22:22,300 --> 00:22:23,301 that allowed them to commit the robbery. 449 00:22:23,510 --> 00:22:25,929 Exactly. The mastermind behind the theft. 450 00:22:26,138 --> 00:22:27,973 And then the mastermind double-crosses them. 451 00:22:28,181 --> 00:22:29,307 Tying up all loose ends. 452 00:22:29,516 --> 00:22:31,059 Come in. 453 00:22:31,268 --> 00:22:33,228 Pendrick still hasn't received a note. 454 00:22:33,437 --> 00:22:35,355 I think we can safely rule out ransom. 455 00:22:35,564 --> 00:22:37,107 So, where did the painting go? 456 00:22:37,315 --> 00:22:39,735 No doubt on its way to some private collector. 457 00:22:39,943 --> 00:22:40,777 Actually, sirs, it might be 458 00:22:40,986 --> 00:22:42,654 that your earlier instincts were correct. 459 00:22:46,491 --> 00:22:49,327 I've already told you I had the Rembrandt insured. 460 00:22:49,536 --> 00:22:51,955 But you didn't mention you increased the policy 461 00:22:52,164 --> 00:22:53,331 to $200,000. 462 00:22:53,540 --> 00:22:55,792 The painting's value is 1/5 of that. 463 00:22:56,001 --> 00:22:58,879 Do you see this Goya, Detective? 464 00:22:59,087 --> 00:23:02,632 I paid $300 for it five years ago. 465 00:23:02,841 --> 00:23:04,676 What do you wager it's worth today? 466 00:23:06,470 --> 00:23:09,181 I suspect its value has increased somewhat. 467 00:23:09,389 --> 00:23:10,599 Tenfold. 468 00:23:10,807 --> 00:23:14,311 I've had offers of 3,000 and more, but I like this one. 469 00:23:14,519 --> 00:23:15,437 It relaxes me. 470 00:23:15,645 --> 00:23:18,482 And I'm told it matches the room. 471 00:23:18,690 --> 00:23:21,902 You insure art for what some fool is willing to pay for it, 472 00:23:22,110 --> 00:23:23,987 not for what it's worth in the moment. 473 00:23:24,196 --> 00:23:26,323 Is that what your art collection is to you, Mr. Pendrick, 474 00:23:26,531 --> 00:23:27,532 an investment? 475 00:23:29,701 --> 00:23:31,953 I'm afraid it doesn't captivate my mind 476 00:23:32,162 --> 00:23:33,497 the way it does my wife's. 477 00:23:33,705 --> 00:23:35,123 A shame, really. 478 00:23:35,332 --> 00:23:37,375 Common interests solidify a marriage. 479 00:23:37,584 --> 00:23:39,044 And what woman do you know 480 00:23:39,252 --> 00:23:41,963 has the least interest in steel and concrete? 481 00:23:43,882 --> 00:23:46,718 At any rate, the value of the Rembrandt is moot 482 00:23:46,927 --> 00:23:48,095 since I'm sure you will recover it. 483 00:23:48,303 --> 00:23:49,471 Is there anything else, Detective? 484 00:23:49,679 --> 00:23:50,931 Yes. 485 00:23:51,139 --> 00:23:53,266 I'm wondering if you know where Mr. Carducci is? 486 00:23:53,475 --> 00:23:55,060 Carducci. 487 00:23:55,268 --> 00:23:56,728 I can't be sure, 488 00:23:56,937 --> 00:23:59,397 though I understand he takes an interest 489 00:23:59,606 --> 00:24:00,941 in young male painters. 490 00:24:01,149 --> 00:24:03,860 Try Burt Lightman's studio. 491 00:24:04,069 --> 00:24:07,197 I believe it's on the Esplanade. 492 00:24:37,060 --> 00:24:39,521 Detective Murdoch, 493 00:24:39,729 --> 00:24:43,024 what a pleasant surprise. 494 00:24:43,233 --> 00:24:45,235 Good day, Mrs. Pendrick. 495 00:24:45,443 --> 00:24:47,362 I see you're taking your interest in the moderns 496 00:24:47,571 --> 00:24:48,572 seriously. 497 00:24:48,780 --> 00:24:52,659 Actually, I'm here to see Signore Carducci. 498 00:24:52,868 --> 00:24:57,455 I believe he's monopolizing my favorite painter. 499 00:25:08,383 --> 00:25:10,969 Signore Carducci, you are much in demand. 500 00:25:11,178 --> 00:25:12,512 Ah, Detective Murdoch. 501 00:25:12,721 --> 00:25:15,640 Have you brought us good news about our lovely Bathsheba? 502 00:25:15,849 --> 00:25:17,267 They're welcome to that old relic. 503 00:25:17,475 --> 00:25:18,268 My dear Burt, 504 00:25:18,476 --> 00:25:19,936 someday you will be the old master 505 00:25:20,145 --> 00:25:21,229 to our great-grandchildren. 506 00:25:21,438 --> 00:25:22,689 You're too kind. 507 00:25:22,898 --> 00:25:24,191 Signora Pendrick is right. 508 00:25:24,399 --> 00:25:27,319 This gentleman will soon be the talk of all Europe. 509 00:25:27,527 --> 00:25:28,320 Are you leaving us, Burt? 510 00:25:28,528 --> 00:25:29,529 I'm going to Paris. 511 00:25:29,738 --> 00:25:31,031 Signore Carducci will introduce me 512 00:25:31,239 --> 00:25:32,115 in all the right circles. 513 00:25:32,324 --> 00:25:33,700 How marvelous. 514 00:25:39,247 --> 00:25:43,210 So, how can I be of assistance, Detective? 515 00:25:43,418 --> 00:25:45,795 Mrs. Pendrick gave us a list of the buyers 516 00:25:46,004 --> 00:25:47,380 who coveted the Rembrandt. 517 00:25:47,589 --> 00:25:49,799 Thinking if they could not purchase it, 518 00:25:50,008 --> 00:25:52,552 they would have it by whatever means necessary. 519 00:25:52,761 --> 00:25:53,553 Precisely. 520 00:25:53,762 --> 00:25:56,431 However, we have cleared most of them. 521 00:25:56,640 --> 00:25:58,725 But I was hoping you might have some additional thoughts, 522 00:25:58,934 --> 00:26:00,602 given your vast experience in the art world. 523 00:26:00,810 --> 00:26:04,231 It sounds like you are -- How do you say it? 524 00:26:04,439 --> 00:26:06,024 Grasping the straw? 525 00:26:08,109 --> 00:26:11,529 Yes, I'll admit I seem to be quickly running out of options. 526 00:26:11,738 --> 00:26:14,282 I can certainly prepare a list for you, 527 00:26:14,491 --> 00:26:17,827 but I fear the Rembrandt already hangs elsewhere. 528 00:26:18,536 --> 00:26:20,997 Well, thank you for your time, Signore Carducci. 529 00:26:21,206 --> 00:26:23,458 Of course. 530 00:26:40,016 --> 00:26:42,310 Do you like my portrait? 531 00:26:42,519 --> 00:26:45,981 I'll admit a certain fascination 532 00:26:46,189 --> 00:26:48,942 with Mr. Lightman's style. 533 00:26:49,567 --> 00:26:50,527 Well, then. 534 00:26:50,735 --> 00:26:52,779 It's yours. 535 00:26:52,988 --> 00:26:54,030 Just what is that? 536 00:26:54,239 --> 00:26:55,699 A Burtrand Lightman. 537 00:26:55,907 --> 00:26:58,076 It's a very brave choice, sir. 538 00:26:58,285 --> 00:27:00,578 I must say, there is something strangely beguiling 539 00:27:00,787 --> 00:27:02,706 about this new nonrepresentational form. 540 00:27:02,914 --> 00:27:05,000 Well, it's not something I would have chosen. 541 00:27:05,208 --> 00:27:06,042 We should put it up. 542 00:27:06,251 --> 00:27:07,877 Oh, no, George, that won't be necessary. 543 00:27:08,086 --> 00:27:09,629 Oh, but, sir, it demands it. 544 00:27:09,838 --> 00:27:10,797 Better lighting over here. 545 00:27:11,006 --> 00:27:12,841 Do you really want to stare at that, Murdoch? 546 00:27:13,049 --> 00:27:14,926 Well, it does have merit, sir. 547 00:27:15,135 --> 00:27:17,554 A step into the art of the future. 548 00:27:17,762 --> 00:27:18,930 Art of the future? 549 00:27:19,139 --> 00:27:21,266 My lad could do better than that, and he's 7. 550 00:27:21,474 --> 00:27:23,977 Anyway, it looks upside down. 551 00:27:24,185 --> 00:27:25,312 I beg to differ, sir. 552 00:27:25,520 --> 00:27:29,566 This triangle should be pointing upwards, like a pyramid. 553 00:27:29,774 --> 00:27:31,318 It is the pyramids, right, sir? 554 00:27:31,526 --> 00:27:32,569 What do you think, Murdoch? 555 00:27:32,777 --> 00:27:34,696 Do you know what the painting is about? 556 00:27:36,448 --> 00:27:38,491 The moderns believe interpretation lies 557 00:27:38,700 --> 00:27:40,035 in the eye of the beholder. 558 00:27:40,243 --> 00:27:42,120 And just what is your interpretation? 559 00:27:44,789 --> 00:27:47,959 It's a pyramid. 560 00:27:48,168 --> 00:27:51,463 Detective, you're needed. 561 00:27:58,970 --> 00:28:02,140 It's right up here, sir. 562 00:28:07,645 --> 00:28:09,647 Burt Lightman, the artist. 563 00:28:09,856 --> 00:28:12,067 The cause of death appears the same as the robbers. 564 00:28:13,902 --> 00:28:16,863 Why on earth would someone want to murder a struggling artist? 565 00:28:17,072 --> 00:28:19,532 It would appear there's no honor amongst thieves. 566 00:28:28,958 --> 00:28:29,751 There's no question. 567 00:28:29,959 --> 00:28:31,294 Lightman was killed by the same weapon 568 00:28:31,503 --> 00:28:32,629 used to murder the two thieves. 569 00:28:32,837 --> 00:28:34,589 You're quite sure? 570 00:28:34,798 --> 00:28:37,092 The shape of the weapon is quite distinctive. 571 00:28:37,300 --> 00:28:38,218 Same weapon, eh? 572 00:28:38,426 --> 00:28:41,346 Sounds like another loose end being tied up to me. 573 00:28:41,554 --> 00:28:44,224 Suggesting Mr. Lightman was part of the theft as well. 574 00:28:44,432 --> 00:28:45,809 But what role does a modern artist play 575 00:28:46,017 --> 00:28:46,935 in the theft of an old master? 576 00:28:47,143 --> 00:28:48,812 Lightman despised the old masters. 577 00:28:49,020 --> 00:28:50,438 Exactly, Doctor. 578 00:28:50,647 --> 00:28:53,733 He's more likely to burn it in an act of public art protest 579 00:28:53,942 --> 00:28:54,984 than profit from it. 580 00:28:55,193 --> 00:28:56,528 Perhaps. 581 00:28:56,736 --> 00:28:59,906 Or perhaps the man did protest too much. 582 00:29:18,591 --> 00:29:21,177 Sir, some of Lightman's work. 583 00:29:21,386 --> 00:29:24,973 Before his geometric phase, I presume. 584 00:29:25,181 --> 00:29:28,726 It seems he was quite talented in the classical sense. 585 00:29:33,690 --> 00:29:35,150 Classical. 586 00:29:35,358 --> 00:29:38,069 I use only primary colors. 587 00:29:38,278 --> 00:29:40,071 Berries and leaves. Why that? 588 00:29:40,280 --> 00:29:42,031 A vegetarian, perhaps? 589 00:29:42,240 --> 00:29:43,283 Perhaps. 590 00:29:43,491 --> 00:29:47,078 George, pack all of these up, along with the sketches. 591 00:29:47,287 --> 00:29:49,456 Yes, sir. 592 00:30:11,060 --> 00:30:12,270 What have you got there, Murdoch? 593 00:30:12,479 --> 00:30:13,396 Pigments, sir. 594 00:30:13,605 --> 00:30:14,939 Used in making paint. 595 00:30:15,148 --> 00:30:16,149 I know what pigments are. 596 00:30:16,357 --> 00:30:18,067 What do they have to do with this case? 597 00:30:18,276 --> 00:30:20,403 Mr. Lightman went to a great deal of trouble 598 00:30:20,612 --> 00:30:22,071 to create these pigments. 599 00:30:22,280 --> 00:30:25,116 Perhaps he wanted special colors for his special paintings. 600 00:30:25,325 --> 00:30:27,744 Yes, but Lightman only painted in primary colors. 601 00:30:27,952 --> 00:30:29,913 No ocher. Hmm. 602 00:30:30,121 --> 00:30:31,831 Well, I admit that is interesting. 603 00:30:32,040 --> 00:30:33,666 Yes, and what's more interesting, 604 00:30:33,875 --> 00:30:36,336 this ocher color is derived from buckthorn berries, 605 00:30:36,544 --> 00:30:38,171 commonly used by the old masters, 606 00:30:38,379 --> 00:30:40,423 particularly Rembrandt. 607 00:30:40,632 --> 00:30:43,635 Why did Lightman want to make the same pigments as Rembrandt? 608 00:30:43,843 --> 00:30:46,387 Unless he wanted to paint like him. 609 00:30:46,596 --> 00:30:48,223 You are correct, Detective. 610 00:30:48,431 --> 00:30:51,309 This is the exact shade of ocher Rembrandt used. 611 00:30:51,518 --> 00:30:52,310 Why do you ask? 612 00:30:52,519 --> 00:30:56,231 I believe Lightman was either about to or had painted 613 00:30:56,439 --> 00:30:58,316 a forgery of "Bathsheba at Her Bath." 614 00:30:58,525 --> 00:31:00,985 That is ridiculous. 615 00:31:01,194 --> 00:31:03,154 To copy a Rembrandt requires skills 616 00:31:03,363 --> 00:31:05,240 Signore Lightman did not possess. 617 00:31:05,448 --> 00:31:06,824 I believe he did. 618 00:31:07,033 --> 00:31:13,623 We found sketches in Mr. Lightman's studio. 619 00:31:17,627 --> 00:31:21,422 Clearly, Mr. Lightman was classically trained. 620 00:31:21,631 --> 00:31:23,883 So, let us say Burtrand did paint a forgery. 621 00:31:24,092 --> 00:31:26,302 What use is a worthless copy to the thieves 622 00:31:26,511 --> 00:31:28,513 when they have the priceless original? 623 00:31:28,721 --> 00:31:31,975 What if the theft of the Rembrandt was staged 624 00:31:32,183 --> 00:31:34,894 in order to sell an unsuspecting buyer a forgery? 625 00:31:35,103 --> 00:31:37,897 But any buyer would expect such a well-known painting 626 00:31:38,106 --> 00:31:38,940 to be a forgery. 627 00:31:39,148 --> 00:31:41,150 Even if the Rembrandt had been stolen 628 00:31:41,359 --> 00:31:42,610 in a sensational robbery? 629 00:31:42,819 --> 00:31:45,446 Ah, I see. 630 00:31:45,655 --> 00:31:47,323 Then the buyer could conceive 631 00:31:47,532 --> 00:31:49,701 they were purchasing the original. 632 00:31:49,909 --> 00:31:52,662 But what if the new owner discovers the truth? 633 00:31:52,870 --> 00:31:54,706 That's the beauty of the plan, isn't it? 634 00:31:54,914 --> 00:31:56,082 The buyer has no recourse. 635 00:31:56,291 --> 00:31:58,209 He has knowingly bought stolen property 636 00:31:58,418 --> 00:32:00,878 and therefore cannot report it to the authorities. 637 00:32:01,087 --> 00:32:01,879 Incredibile. 638 00:32:02,088 --> 00:32:03,840 It is brilliant in its conception. 639 00:32:04,048 --> 00:32:05,592 So, a viable scenario, then? 640 00:32:05,800 --> 00:32:06,467 Indeed. 641 00:32:06,676 --> 00:32:09,220 Good. 642 00:32:09,429 --> 00:32:12,140 Now all I have to do is prove it. 643 00:32:13,474 --> 00:32:15,685 There must be some mistake. 644 00:32:15,893 --> 00:32:18,521 Perhaps Burt stumbled on something 645 00:32:18,730 --> 00:32:20,815 and was murdered as a result. 646 00:32:21,024 --> 00:32:23,610 I'm afraid the evidence points to only one conclusion, 647 00:32:23,818 --> 00:32:24,611 Mrs. Pendrick. 648 00:32:24,819 --> 00:32:27,697 I can't believe he was involved. 649 00:32:27,905 --> 00:32:30,825 How could he betray me like this? 650 00:32:34,037 --> 00:32:37,498 He was a frequent guest in my house. 651 00:32:38,458 --> 00:32:41,377 Do you recall him paying much attention to the Rembrandt 652 00:32:41,586 --> 00:32:42,378 when he visited? 653 00:32:42,587 --> 00:32:45,006 He was always free to study my collection. 654 00:32:45,214 --> 00:32:47,634 Could he have had time enough to forge it? 655 00:32:47,842 --> 00:32:49,802 I don't see how. 656 00:32:50,011 --> 00:32:52,138 The Rembrandt was on loan to a gallery in New York 657 00:32:52,347 --> 00:32:53,389 for most of the past year. 658 00:32:53,598 --> 00:32:56,059 It returned home shortly before the exhibition in Toronto. 659 00:32:56,267 --> 00:32:58,936 I see. 660 00:32:59,145 --> 00:33:01,022 Thank you for your time. 661 00:33:01,230 --> 00:33:03,399 I'll see myself out. 662 00:33:03,608 --> 00:33:05,485 Such a waste. 663 00:33:05,693 --> 00:33:09,197 Though we have his work to remember him by. 664 00:33:09,405 --> 00:33:11,240 Yes. 665 00:33:11,449 --> 00:33:14,410 Who knows how much my portrait might be worth 666 00:33:14,619 --> 00:33:16,621 in a couple of years, Detective? 667 00:33:16,829 --> 00:33:19,040 I do hope you're enjoying it. 668 00:33:20,917 --> 00:33:22,460 It hangs in my office. 669 00:33:22,669 --> 00:33:26,714 I can think of no higher compliment. 670 00:33:40,978 --> 00:33:43,272 Ah, hello, Julia. 671 00:33:43,481 --> 00:33:45,483 William, there you are. 672 00:33:45,692 --> 00:33:47,944 I have news of the murder weapon. 673 00:33:48,152 --> 00:33:49,946 By mapping a cross section of the victims' brains, 674 00:33:50,154 --> 00:33:51,030 I've ascertained the weapon 675 00:33:51,239 --> 00:33:52,657 to be an eighth of an inch in diameter 676 00:33:52,865 --> 00:33:54,158 and approximately five inches long. 677 00:33:54,367 --> 00:33:57,286 Very unusual. 678 00:33:57,787 --> 00:34:02,125 Perhaps something like a woodworking awl. 679 00:34:02,333 --> 00:34:05,294 A rather specialized murder weapon, don't you think? 680 00:34:05,503 --> 00:34:07,046 Both efficient and precise 681 00:34:07,255 --> 00:34:09,298 when thrust into the ear of the victim. 682 00:34:09,507 --> 00:34:10,466 Indeed. 683 00:34:10,675 --> 00:34:12,552 Thank you. 684 00:34:12,760 --> 00:34:15,346 My pleasure. 685 00:34:16,556 --> 00:34:17,807 This painting -- 686 00:34:18,015 --> 00:34:20,309 Yes, it's a Burtrand Lightman. 687 00:34:20,518 --> 00:34:21,310 I see. 688 00:34:21,519 --> 00:34:23,521 Well, it's truly shocking. 689 00:34:23,730 --> 00:34:25,773 What makes you say that? 690 00:34:25,982 --> 00:34:28,818 I believe we're looking at a woman 691 00:34:29,026 --> 00:34:30,987 in a rather intimate pose. 692 00:34:31,195 --> 00:34:32,280 Really? 693 00:34:32,488 --> 00:34:34,449 I'd concluded it was a landscape. 694 00:34:34,657 --> 00:34:35,491 A landscape? 695 00:34:35,700 --> 00:34:37,326 Perhaps something inspired 696 00:34:37,535 --> 00:34:40,496 by the stark beauty of the Canadian Shield, 697 00:34:40,705 --> 00:34:43,791 which is very stark. 698 00:34:44,000 --> 00:34:45,668 William, look again. 699 00:34:45,877 --> 00:34:48,796 Surely, the red triangle... 700 00:34:49,005 --> 00:34:50,506 Pyramid. 701 00:34:50,715 --> 00:34:52,133 A pyramid? 702 00:34:52,341 --> 00:34:55,178 On the Canadian Shield? 703 00:34:55,386 --> 00:34:56,888 William, don't be obtuse. 704 00:34:57,096 --> 00:34:59,098 It's the torso of a woman. 705 00:35:00,475 --> 00:35:02,518 Sir, I have that information you wanted. 706 00:35:02,727 --> 00:35:05,146 Ah. I must be getting back. 707 00:35:05,354 --> 00:35:09,567 I'll leave you to enjoy your landscape. 708 00:35:09,776 --> 00:35:12,361 George, what did you find out about Mr. Lightman? 709 00:35:12,570 --> 00:35:13,654 Well, sir, as you know, 710 00:35:13,863 --> 00:35:16,866 the Rembrandt spent eight months of last year in New York. 711 00:35:17,074 --> 00:35:18,993 Funnily enough, so did Burtrand Lightman. 712 00:35:19,202 --> 00:35:20,787 Did he, now? 713 00:35:20,995 --> 00:35:21,788 He secured a position 714 00:35:21,996 --> 00:35:23,706 at the very gallery that was displaying the Rembrandt. 715 00:35:23,915 --> 00:35:24,707 Really? 716 00:35:24,916 --> 00:35:25,792 Night watchman. 717 00:35:26,000 --> 00:35:28,628 So Mr. Lightman goes to New York, paints the forgery. 718 00:35:28,836 --> 00:35:31,005 Our mastermind already has lined up a buyer. 719 00:35:31,214 --> 00:35:32,882 The grand theft is staged in Toronto. 720 00:35:33,090 --> 00:35:34,175 And once the forgery is painted 721 00:35:34,383 --> 00:35:36,427 and Mr. Lightman is no longer needed by the mastermind, 722 00:35:36,636 --> 00:35:37,470 he's killed. 723 00:35:37,678 --> 00:35:41,224 But then, sir, if Lightman created the forgery in New York, 724 00:35:41,432 --> 00:35:44,185 why are the supplies to make the pigments here in Toronto? 725 00:35:44,393 --> 00:35:47,438 A very good question, George. 726 00:35:47,647 --> 00:35:50,233 Oh, well, then, also, another point that remains unclear to me 727 00:35:50,441 --> 00:35:52,693 is how did the mastermind plan on getting the painting 728 00:35:52,902 --> 00:35:54,195 out of Toronto to the buyer? 729 00:35:57,740 --> 00:35:59,075 Are you leaving us, Burt? 730 00:35:59,283 --> 00:36:00,326 I'm going to Paris. 731 00:36:00,535 --> 00:36:01,786 How marvelous. 732 00:36:02,662 --> 00:36:06,499 George, I'll need you to pay a visit to the docks. 733 00:36:06,707 --> 00:36:09,585 You found no baggage listed under Burtrand Lightman's name? 734 00:36:09,794 --> 00:36:11,754 There was nothing in the manifest, sir. 735 00:36:11,963 --> 00:36:14,507 Lightman would have transported the forgeries with him to Paris. 736 00:36:14,715 --> 00:36:15,508 I'm certain of it. 737 00:36:15,716 --> 00:36:18,219 Well, sir, perhaps the painting was to go on a later passage. 738 00:36:18,427 --> 00:36:20,346 No, he wouldn't risk it being lost in transit. 739 00:36:20,555 --> 00:36:22,473 We're missing something here. 740 00:36:22,682 --> 00:36:26,060 Sir, by all means, have a look for yourself. 741 00:36:26,644 --> 00:36:29,730 His name is not on the manifest, sir. 742 00:36:29,939 --> 00:36:34,318 No, but we should see what Miss Hendrickje Stouffels is shipping 743 00:36:34,527 --> 00:36:37,363 more than two centuries after her death. 744 00:36:38,906 --> 00:36:40,658 Hendrickje who? 745 00:36:40,867 --> 00:36:42,660 Hendrickje Stouffels. 746 00:36:42,869 --> 00:36:45,121 Rembrandt's mistress and model of many years. 747 00:36:45,329 --> 00:36:47,665 Oh, so, now we're an art historian, are we? 748 00:36:49,625 --> 00:36:50,585 The Bathsheba. 749 00:36:50,793 --> 00:36:52,795 An excellent copy. 750 00:36:53,004 --> 00:36:54,797 Sir. 751 00:36:55,006 --> 00:36:57,133 It appears she has a twin sister. 752 00:36:57,341 --> 00:37:00,303 The lad's been a busy boy. 753 00:37:00,511 --> 00:37:02,221 These are quite remarkable. 754 00:37:02,430 --> 00:37:05,099 Mr. Lightman certainly was brazen. 755 00:37:05,308 --> 00:37:10,146 Why sell one forgery when you can move... five? 756 00:37:10,354 --> 00:37:11,814 Four, George. 757 00:37:12,023 --> 00:37:13,024 Four, sir? 758 00:37:13,232 --> 00:37:15,401 Murdoch, there are five. 759 00:37:15,610 --> 00:37:18,487 Yes, but only four are copies. 760 00:37:18,696 --> 00:37:22,074 I believe this one is the original Rembrandt. 761 00:38:26,597 --> 00:38:28,182 Are you sure this is the original? 762 00:38:28,391 --> 00:38:29,976 Because they all look alike to me. 763 00:38:30,184 --> 00:38:32,561 Many painters have a signature technique. 764 00:38:32,770 --> 00:38:35,898 Rembrandt used a single layer of coarsely sieved quartz 765 00:38:36,107 --> 00:38:37,191 as a canvas primer. 766 00:38:37,400 --> 00:38:39,568 I've examined the medium used on this canvas, 767 00:38:39,777 --> 00:38:40,861 and it is indeed quartz. 768 00:38:41,070 --> 00:38:41,862 Proving what? 769 00:38:42,071 --> 00:38:42,947 This is Canada, Murdoch. 770 00:38:43,155 --> 00:38:45,950 You can't go anywhere without tripping over bloody quartz. 771 00:38:46,158 --> 00:38:48,035 Ah, not this type. 772 00:38:48,244 --> 00:38:50,663 However, it is commonly found in Holland. 773 00:38:50,871 --> 00:38:54,959 There's no question. This is the Rembrandt. 774 00:38:55,167 --> 00:38:57,253 Think of it, sir. 775 00:38:57,461 --> 00:39:01,298 We are standing here just as he did, 776 00:39:01,507 --> 00:39:08,639 assessing his masterpiece to pronounce it done and perfect. 777 00:39:11,559 --> 00:39:12,435 Sir? 778 00:39:12,643 --> 00:39:13,769 Thousands of dollars 779 00:39:13,978 --> 00:39:16,897 for some bare-assed floozy having her feet washed. 780 00:39:17,106 --> 00:39:18,566 How did Lightman get his hands on it? 781 00:39:18,774 --> 00:39:21,819 He had unfettered access to the Pendrick collection. 782 00:39:22,945 --> 00:39:24,822 I believe he switched the original 783 00:39:25,031 --> 00:39:26,907 for a forgery he made in New York 784 00:39:27,116 --> 00:39:28,909 on one such occasion. 785 00:39:29,118 --> 00:39:31,704 So, the painting exhibited at the Pendrick Building, 786 00:39:31,912 --> 00:39:33,831 stolen by the thieves, was a forgery. 787 00:39:34,040 --> 00:39:35,958 So it would seem. 788 00:39:36,167 --> 00:39:37,960 Sneaky little sod. 789 00:39:38,169 --> 00:39:40,087 Do you think Lightman took it to sell himself? 790 00:39:40,296 --> 00:39:41,422 Perhaps. 791 00:39:41,630 --> 00:39:43,799 But he didn't account for the treachery 792 00:39:44,008 --> 00:39:45,551 of his partner in crime. 793 00:39:45,760 --> 00:39:46,552 Who killed him 794 00:39:46,761 --> 00:39:48,679 before he realized Lightman had the original. 795 00:39:48,888 --> 00:39:50,431 Exactly. 796 00:39:50,639 --> 00:39:53,476 So, who's behind it all, Murdoch? 797 00:39:53,684 --> 00:39:55,895 For the swindle to work, the buyers must believe 798 00:39:56,103 --> 00:39:57,897 that they are purchasing the original. 799 00:39:58,105 --> 00:39:59,315 So the original can't resurface 800 00:39:59,523 --> 00:40:01,150 until the forgeries have been delivered. 801 00:40:01,358 --> 00:40:03,486 Correct. 802 00:40:03,694 --> 00:40:06,322 I believe it's time for Bathsheba 803 00:40:06,530 --> 00:40:09,033 to return to her rightful owner. 804 00:40:14,413 --> 00:40:16,665 You have exceeded my expectations, Detective. 805 00:40:16,874 --> 00:40:19,168 My wife will be delighted to see the Rembrandt 806 00:40:19,376 --> 00:40:20,503 within these walls again. 807 00:40:20,711 --> 00:40:21,837 Before you speak to her, 808 00:40:22,046 --> 00:40:25,007 I've invited Signore Carducci to authenticate the painting. 809 00:40:25,216 --> 00:40:26,008 A mere formality. 810 00:40:26,217 --> 00:40:28,427 Detective, no one can replicate the master. 811 00:40:28,636 --> 00:40:31,514 Agreed, but I would feel more assured we have the original 812 00:40:31,722 --> 00:40:34,266 if you would take a closer look. 813 00:40:36,435 --> 00:40:38,479 I cannot believe the audacity. 814 00:40:38,687 --> 00:40:41,107 Is something wrong? 815 00:40:41,315 --> 00:40:43,609 This is a forgery. 816 00:40:43,818 --> 00:40:45,277 An excellent one, but... 817 00:40:45,486 --> 00:40:46,403 Are you absolutely sure? 818 00:40:46,612 --> 00:40:47,613 Look at the eyes -- 819 00:40:47,822 --> 00:40:50,074 the window to Bathsheba's soul -- 820 00:40:50,282 --> 00:40:53,828 the forger cannot capture Rembrandt's depth of emotion. 821 00:40:54,036 --> 00:40:56,664 But I don't understand. 822 00:40:56,872 --> 00:41:00,918 This -- This is surely as great a crime -- 823 00:41:01,127 --> 00:41:04,296 to have her back once more only to see her taken away. 824 00:41:04,505 --> 00:41:07,216 I'm terribly sorry to have raised your hopes, sir. 825 00:41:07,424 --> 00:41:10,302 It is very late. I have a pressing engagement. 826 00:41:10,511 --> 00:41:12,346 Good evening, gentlemen. 827 00:41:18,269 --> 00:41:19,270 That's all right, Detective. 828 00:41:19,478 --> 00:41:21,230 If it weren't for Signore Carducci, 829 00:41:21,438 --> 00:41:23,524 I, too, would have judged this the original. 830 00:41:23,732 --> 00:41:26,235 Interesting you should say that. 831 00:41:26,443 --> 00:41:27,736 Please excuse me. 832 00:41:27,945 --> 00:41:30,739 There is a matter I must attend to. 833 00:41:30,948 --> 00:41:33,325 Yes, of course. 834 00:41:51,218 --> 00:41:53,846 Mannaggia! 835 00:41:54,054 --> 00:41:57,308 So that's where you hid it. 836 00:41:57,516 --> 00:41:58,392 Detective. 837 00:41:58,601 --> 00:41:59,894 - I, uh... - You what? 838 00:42:00,102 --> 00:42:01,812 Can explain? 839 00:42:02,021 --> 00:42:04,565 I doubt that very much, Mr. Carducci. 840 00:42:04,773 --> 00:42:08,402 I just watched you declare the real Rembrandt a forgery. 841 00:42:08,611 --> 00:42:11,197 There was only one reason to do that -- 842 00:42:11,405 --> 00:42:13,741 to maintain the swindle you'd orchestrated. 843 00:42:13,949 --> 00:42:14,950 I admit nothing. 844 00:42:15,159 --> 00:42:18,245 Except perhaps going to a great deal of trouble 845 00:42:18,454 --> 00:42:20,664 to steal a worthless fake. 846 00:42:20,873 --> 00:42:22,625 Burt Lightman exchanged the Rembrandt 847 00:42:22,833 --> 00:42:23,876 for one of his forgeries 848 00:42:24,084 --> 00:42:25,961 while it was still in the Pendrick home. 849 00:42:26,170 --> 00:42:27,588 That treacherous little bastard. 850 00:42:27,796 --> 00:42:30,549 Thinking he had done his part in your scheme, 851 00:42:30,758 --> 00:42:31,634 you killed him, 852 00:42:31,842 --> 00:42:33,677 just like the other accomplices. 853 00:42:33,886 --> 00:42:36,138 You, sir, are a thief and a murderer. 854 00:42:36,347 --> 00:42:38,682 But to orchestrate this, you had help. 855 00:42:38,891 --> 00:42:42,811 Where did you get the inside information you needed -- 856 00:42:43,020 --> 00:42:46,649 the building plans, the movement of the painting? 857 00:42:46,857 --> 00:42:48,609 Someone else had a hand in this. 858 00:42:48,817 --> 00:42:50,569 Who was it? 859 00:42:50,778 --> 00:42:53,447 Who are you working for? 860 00:43:02,748 --> 00:43:04,500 As you already know, Detective, 861 00:43:04,708 --> 00:43:07,378 I am a professional who abhors loose ends. 862 00:43:26,188 --> 00:43:28,440 A rather clever design, don't you think? 863 00:43:28,649 --> 00:43:31,694 Carducci used this to kill the two thieves and Lightman. 864 00:43:31,902 --> 00:43:33,153 And almost you as well, sir. 865 00:43:33,362 --> 00:43:35,990 Thank goodness Mr. Pendrick arrived when he did. 866 00:43:36,198 --> 00:43:38,367 Yes, quite impeccable timing on his part. 867 00:43:38,575 --> 00:43:39,660 What do you mean? 868 00:43:39,868 --> 00:43:43,205 There are pieces of this puzzle Carducci took to the grave. 869 00:43:43,414 --> 00:43:44,373 Like what? 870 00:43:44,581 --> 00:43:47,042 How did he know the exact movements of the painting? 871 00:43:47,251 --> 00:43:49,378 How did he orchestrate a complex theft 872 00:43:49,586 --> 00:43:51,630 without detailed inside information? 873 00:43:51,839 --> 00:43:55,050 His hired guns were disguised as caterers. 874 00:43:55,259 --> 00:43:56,969 He had access to the building days in advance. 875 00:43:57,177 --> 00:43:58,304 But consider this. 876 00:43:58,512 --> 00:44:02,308 Once the forgeries are delivered and the money is collected, 877 00:44:02,516 --> 00:44:04,935 the original mysteriously reappears, 878 00:44:05,144 --> 00:44:06,854 only one man benefits. 879 00:44:08,647 --> 00:44:09,440 Pendrick. 880 00:44:09,648 --> 00:44:11,900 He would have his money and his original, 881 00:44:12,109 --> 00:44:13,527 and no one would suspect him. 882 00:44:13,736 --> 00:44:15,404 You've caught the killer, found the Rembrandt. 883 00:44:15,612 --> 00:44:18,532 You prevented one of the biggest art frauds in history. 884 00:44:18,741 --> 00:44:19,742 Excellent point, Doctor. 885 00:44:19,950 --> 00:44:21,535 Isn't that enough for you, Murdoch? 886 00:44:27,666 --> 00:44:28,709 We will miss her. 887 00:44:28,917 --> 00:44:31,628 But after such a dreadful turn of events, 888 00:44:31,837 --> 00:44:35,591 I couldn't bear to have the painting in the house anymore. 889 00:44:35,799 --> 00:44:39,053 I persuaded James to donate her to the Louvre. 890 00:44:39,261 --> 00:44:41,722 That's very philanthropic of you. 891 00:44:41,930 --> 00:44:45,267 But you will be needing a replacement, Mrs. Pendrick. 892 00:44:45,476 --> 00:44:47,770 Might I suggest your Burt Lightman portrait? 893 00:44:47,978 --> 00:44:49,605 Really? 894 00:44:49,813 --> 00:44:50,898 You would part with it? 895 00:44:51,106 --> 00:44:53,859 It would offer a refreshing modern perspective 896 00:44:54,068 --> 00:44:55,152 to your collection. 897 00:44:55,361 --> 00:44:57,321 Well, that's very observant of you, Detective. 898 00:44:57,529 --> 00:44:59,656 I accept your offer, 899 00:44:59,865 --> 00:45:03,035 but I trust you will come and visit it from time to time. 900 00:45:03,243 --> 00:45:04,995 It would be my pleasure. 901 00:45:05,204 --> 00:45:06,580 Detective Murdoch. 902 00:45:06,789 --> 00:45:07,581 Congratulations. 903 00:45:07,790 --> 00:45:09,750 Things couldn't have turned out better. 904 00:45:09,958 --> 00:45:12,669 Mr. Pendrick, I believe some of the credit goes to you. 905 00:45:12,878 --> 00:45:14,213 I would not be here today 906 00:45:14,421 --> 00:45:16,757 were it not for your timely intervention. 907 00:45:16,965 --> 00:45:18,425 Pure luck, I assure you. 908 00:45:18,634 --> 00:45:22,346 Tell me, what brought you to the building last night? 909 00:45:22,554 --> 00:45:25,057 Oh, I often go up there to look at the night sky. 910 00:45:25,265 --> 00:45:26,225 Really? 911 00:45:26,433 --> 00:45:27,226 Well, what is the point 912 00:45:27,434 --> 00:45:28,977 of owning the tallest building in Toronto 913 00:45:29,186 --> 00:45:32,856 if you don't avail yourself of its advantages? 914 00:45:34,149 --> 00:45:36,026 And the gun? 915 00:45:37,528 --> 00:45:39,905 Well, I never venture out at night without a firearm. 916 00:45:40,114 --> 00:45:44,743 Detective, you seem unsettled. 917 00:45:45,994 --> 00:45:50,791 In an odd way, Signore Carducci and I are very similar. 918 00:45:50,999 --> 00:45:53,752 We both dislike loose ends. 919 00:45:53,961 --> 00:45:55,254 Loose ends? 920 00:45:55,462 --> 00:45:57,089 With Signore Carducci dead, 921 00:45:57,297 --> 00:46:01,301 we'll never be able to ascertain the identity of his employer -- 922 00:46:01,510 --> 00:46:03,387 the true mastermind behind this crime. 923 00:46:03,595 --> 00:46:06,432 And what makes you think he wasn't the true mastermind? 924 00:46:09,309 --> 00:46:11,437 It's a theory, for now. 925 00:46:11,645 --> 00:46:12,604 Mrs. Pendrick. 926 00:46:12,813 --> 00:46:13,730 Mr. Pendrick. 927 00:46:13,939 --> 00:46:15,566 I bid you good day. 928 00:46:15,774 --> 00:46:18,068 Good day, Detective Murdoch. 929 00:46:18,277 --> 00:46:20,571 I trust our paths will cross again. 930 00:46:20,779 --> 00:46:23,282 I will look forward to that.